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“Barbie Doll,” a poem written by Marge Piercy in 1936, clearly delivers strong feminist views about the pressures and standards women are forced to live with. With a depressing tone, the poem describes a young girl’s life beginning with her birth and ending with her ironic death. The poem progresses and tells how the pressures of being a woman affect the girl’s life and influence her actions.

Opening with the girl’s uneventful and normal birth, the poem begins delivering feminist views. As a young child, the girl was “presented dolls that did pee-pee / and miniature GE stoves and irons / and wee lipsticks the color of cherry candy,” culture encroaching on her life and molding her to become a socially well-accepted woman. These toys were meant to prepare her for the expectations she would later meet in life, expectations that a woman should raise children, take care of babies, feed her family, do the laundry, complete household chores, and look beautiful at the same time. This first stanza ends with the girl’s puberty years and the realization of her society’s standards of beauty as she is told of the presence of her “great big nose and fat legs.”

Growing up with tools to help prepare her for what’s to come, the girl is overcome with this new standard. Although she was healthy, intelligent, and even strong, “she went to and fro apologizing” for everyone else looked past her true talents and could only see “a fat nose on thick legs.” Her beauty and appearance became the main focus, masking her inner personality and confusing her motives and actions.
As her society presses on her, the girl is given confusing instructions. “She was advised to play coy, / exhorted to come hearty, / exercise, diet, smile and wheedle.” Advised to watch what she eats and to exercise to reduce her size and sculpt her body to become more visually appealing, “her good nature wore out” as her focus was diverted. The child began to learn that her culture was more occupied with her appearance than what she accomplished or how she acted and that to become accepted she must conform to people’s expectations.

The author begins to end the poem with an extreme solution to the girl’s predicament and describes her suicide with euphemism. Fed up with her inability to please others because of her unattractive qualities, “she cut off her nose and her legs / and offered them up.” Overwhelmed with goals, advice, and tasks to better herself for her society, the girl became obsessed with her appearance and no longer took time to truly better her actions, her nature, and herself. Even in death she cannot please until she is changed. Before being displayed in her casket, the mortician paints her face, changes her nose, and dresses her in a nightie, fit to please the public. It is only after these changes that people ask, “Doesn’t she look pretty?” taking in the standards that she has finally met, standards that they constantly pressed her with, standards that she could not meet in life. Finally, the girl is accepted, although it is not quite a happy ending. If not for the common pressure on females to present themselves to the public with attractive features, the girl may have remained herself, healthy and intelligent, and had not let the search for acceptance drive her to her unfortunate end.

Scouring the entire poem, the reader will not find a name for the girl. This motion suggests that the author feels this is a common situation that constantly presses on females, especially young girls. Social standards and expectations mold women to become Barbie dolls, fake perfection. They are raised, taught, and advised to submit to superficial values and become what others would like to see of them. Piercy shows through her poem “Barbie Doll” the destruction of women through the application of false standards and creates the ironic and dismal story of this girl to portray her feminist views.

There Will Be Blood

There Will Be Blood

From the pages of a book to the scenes of a film, stories can present deep, complicated situations and ideas to their audiences. Allusions are made, irony is created, and themes are introduced. While watching Paul Thomas Anderson’s 2007 film, There Will Be Blood, one must come prepared with a knowledge of the Holy Bible and keep an open mind to pick up on everything the film offers and understand the unexpected irony. This film challenges its viewers to comprehend the thick plots and ideas that originated from Upton Sinclair’s novel, Oil! Thrusting biblical allusions and literary irony upon them.

Names and titles can be important clues and allusions in any story just as they are in There Will Be Blood. While each major character’s name can be found in the Holy Bible, from Able, Mary, and Eli, to Daniel, some grant a deeper meaning to a character with hidden meaning in the name’s literal definition. Most can instantly relate Mary to the mother of Jesus Christ, the innocent virgin that delivered God’s son to the Earth, but others will not understand “Daniel’s” direct translation to “judgement by God” or “God is my judge.” Mary is automatically recognized as an innocent protagonist because of her name, but Daniel’s traits are more hidden. His name suggests that he is constantly being judged by God with each act the he commits. From this judgement, he is faced with hardships and punishments. Daniel is not only judged, himself, but also feels he has the power to evaluate others just as God would. “I am the Church of the Third Revolution!” he exclaims, sharing his views of his power and righteousness.

Characters aren’t the only ones to receive names from the Bible, however. The film’s changed name, There Will Be Blood, originates from quotes in the holy volume. From Exodus 7:19, God explains to Moses “that there may be blood throughout all the land of Egypt,” as he foreshadows the striking down of the country to bring the Pharaoh down from his pedestal of power, a privilege he has been misusing and neglecting. God lusts for destruction just as Daniel lusted for money and desired for something that should not be the final goal.

The title, There Will Be Blood, can also call Hebrew 9:22 its birthplace. “Without the shedding of blood, there can be no remission of sins.” The theme is constantly present within the film and gives Daniel a motive to end Henry and Eli’s lives and to end situations through violence. Daniel does not hesitate to use violence to get what he desires and knows that sooner or later, there will be blood.

By achieving what he strives for, Daniel ironically brings about his own demise. Living a life of loneliness, Daniel seeks love and family, wishing to find blood of resemblance. Not trusting and conflicting with those around him, he ends up ruining all the people who could have been family to him. His son is driven away, his half-brother is killed, and his brother-in-law is brought to an end, leaving Daniel with nothing left in his life although he has everything. This unusual situation is symbolically shown in the final scene of the movie when Daniel is found sleeping in his house. Succeeding enough to own his own bowling alley, Daniel is left to sleep “in the gutter” with his alcohol pressed tightly against him. All of his riches and achievements become useless and meaningless.

Of all the people that Daniel announced that he didn’t like, Eli must have been his most loathed enemy. Seeing him for the fake prophet that he was, Daniel could not bear Eli and was annoyed and offended by his presence. Constantly fighting with him, he tried to prove his power over Eli and his greater capabilities. Daniel never pauses from judging those around him and spends a great deal of attention and energy judging Eli. Daniel finds his mistakes and loathes the flaws that Eli possesses, yet Daniel possesses many of the same flaws, himself. Daniel and Eli are very similar, almost the same person, but dislike each other greatly. They are each other’s own images, yet don’t quite realize the odd occurrence.

There Will Be Blood delivers a unique blend of motifs and themes that relies on its biblical allusions and odd irony to completely reach the viewer. Carefully constructed by Paul Thomas Anderson, this film combines holy words with unusual situations and grants a mentally stimulating moment of entertainment that continues to question the viewers event after the final, shocking scene of irony is conveyed. From Upton Sinclair’s novel, Oil!, Anderson has created an award-winning theatrical movie that many argue is his best work filled with many intelligent references and interesting dilemmas.